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Reviews of Sigma 24-35mm f/2 DG HSM Art

Testseek.com have collected 42 expert reviews of the Sigma 24-35mm f/2 DG HSM Art and the average rating is 84%. Scroll down and see all reviews for Sigma 24-35mm f/2 DG HSM Art.
Award: Highest Rated October 2015
October 2015
 
(84%)
42 Reviews
Users
(100%)
4 Reviews
84 0 100 42

 

Reviews

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  Published: 2015-09-24, Author: Michael , review by: amateurphotographer.co.uk

  • The 24-35mm f/2 DG HSM | A covers three popular focal lengths (24mm, 28mm and 35mm) and maintains a fast aperture throughout its range. Its not quite as fast as most wideangle primes, but what it lacks in speed it more than makes up for in terms of conve...

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(90%)
 
  Published: 2015-09-17, Author: Trevor , review by: digitalone.com.sg

  • Abstract:  I could not believe my eyes when I read the specifications of the Sigma 24-35mm f/2.0 DG HSM Art lens. Consider this: One Canon EF 35mm f/2.0 IS USM prime lens will set you back by $1,199. With this lens - the world's first zoom lens with a constant f/2...

 
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(80%)
 
  Published: 2015-09-16, Author: Trevor , review by: straitstimes.com

  • Delivering prime lens quality in a zoom lens and at an extremely affordable price, this should be on the shortlist of photographers looking for prime lenses for their DSLRs...

 
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(80%)
 
  Published: 2015-09-15, Author: bichao , review by: xitek.com

  • 24-35mm F2 DG HSM Art是适马又一次给市场上投放的重磅炸弹,世界上第一支光圈达到F2.0的全画幅广角镜头。这个世界第一的光环再次验证了适马的研发能力,当然这次不单单是炫技。通过笔者的实际测试,这支镜头是一支高素质的好头。它覆盖了三个常用焦段,成像画质优秀,完全可以当成定焦镜头来使用。F2.0的好处只有用过的人才知道,那绝非F2.8可比。应该说适马的目的算是达到了,我相信这次的24-35mm又博得了不少摄影师的心。测评样片点击可查看更多样片...

 
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  Published: 2015-08-21, review by: thephoblographer.com

  • Not a bad size considering what it is, Decent amount of focal lengths with a fast aperture, Great image quality, Can easily replace the need of three lenses if you're a wide-angle shooter,
  • It's about time that Sigma puts weather-sealing in their lenses

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(80%)
 
  Published: 2015-08-04, Author: Jim , review by: pcmag.com

  • Very sharp. Maximum f/2 aperture throughout zoom range. 11-inch close focus. Full-frame coverage. Solid build quality.
  • On the heavy side. Distortion throughout range. Fall off at wide apertures. Very small zoom ratio. Omits stabilization
  • The Sigma 24-35mm F2 DG HSM Art is the first f/2 zoom lens for full-frame cameras, and a very sharp one at that, but its range is limited...

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(80%)
 
  Published: 2015-08-03, Author: Bryan , review by: The-digital-picture.com

  • If I compiled the camera gear dream list of thousands of professional and serious amateur photographers, I'm sure that the "zoom lens wider than f/2.8" line item would bubble up to near the top of the list. I know that I have long wanted to see such a len...

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  Published: 2015-07-30, Author: Julian , review by: digifotopro.nl

  • Abstract:  In 2013 wist Sigma te verrassen met de 18-35mm f/1.8 Art voor aps-c-camera's. Niet alleen vanwege de indrukwekkende specificaties, des te meer vanwege de uitstekende optische prestaties. De nieuwe Sigma 24-35mm f/2 DG HSM Art kun je zien als een fullframe...

 
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  Published: 2015-07-29, review by: lenstip.com

  • unique parameters, solid and stylish casing, sensational image quality in the frame centre, excellent resolution on the edge of the APSC/DX, better resolution on the edge of full frame than that of many fixed focus lenses, moderate longitudinal chromatic
  • noticeable distortion on full frame at 24 mm, a bit too high coma, very high vignetting across the whole focal range.
  • “Three ‘primes' in one lens” – in the case of the tested Sigma such a statement is not just an empty marketing slogan, quite the opposite in fact. When it comes to the resolution the Sigma 24-35 mm is not worse than any brand name fixed focus f/1.8 and f/...

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  Published: 2015-07-28, Author: Arkadiusz , review by: optyczne.pl

  • unikalne parametry, solidna i gustowna obudowa, rewelacyjna jakość obrazu w centrum kadru, świetna rozdzielczość na brzegu matrycy APSC/DX, rozdzielczość na brzegu pełnej klatki lepsza niż w wielu obiektywach stałoogniskowych, umiarkowana podłużna aberrac
  • zauważalna dystorsja na pełnej klatce na 24 mm, trochę za duża koma, bardzo duże winietowanie w całym zakresie ogniskowych.
  • W przypadku testowanego obiektywu stwierdzenie, że to trzy „stałki” w jednym instrumencie – nie jest pustym frazesem. Wręcz przeciwnie. Pod względem rozdzielczości Sigma 24–35 mm ani trochę nie ustępuje firmowym obiektywom stałoogniskowym o świetle f/1.8...

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