In bestimmten Anwendungsgebieten (besonders im Studio) kann die XL 1H bisher eine Alleinstellung einnehmen. Nirgendwo sonst bekommt man unter 10.000 Euro ein echtes HD-Signal unkomprimiert aus einer Kamera geliefert. Auch die Timecode-Synchonisation gi...
Class-leading 800+ TVl/ph detail. Comprehensive color tweaks. Clean pictures with multiple noise reduction options. Excellent focusing aids. SDI output. Simultaneous SD and HD out- put; 60i, 24f, and 30f modes. FireWire remote control. Interchangeable len...
Expensive and front heavy. The 24f and 30f modes degrade vertical resolution. Spongy lens controls impede precise work. Audio options not as flexible as they could be. SDI lacks embedded audio, timecode. No letterboxed down-conversion.
The "chainsaw" is back in black--with uncompressed SDI output, genlock, and 1080i HDV recording, as well as the best resolution available under $10,000. If you liked previous XLs, youll love the H1. Gorgeous high-definition images are worth the price....
There?s no two ways about it, the XLH1 is an outstanding camera. Quite possibly the best camera in this price range I?ve ever used and certainly it throws the gauntlet down to many cameras with much higher pricetags. But, that said, the XLH1 isn?t the ...
Abstract: Of the first crop of professionalized HDV camcorders with 1/3in. sensors, only the latest, Canons XL H1, can claim to have been created by a lens manufacturer. Canon kept the familiar “chainsaw” profile of the XL series for the new XL H1...
